Updates

2015-16 Cycle 2 Program Notes

By Tim Secomb Karelia is a region of northern Europe, on the border between Russia and Finland. Tensions over the ownership of Karelia were an important aspect of Finland’s struggle for independence. In 1893, Finnish composer Jean…

Program notes for SASO’s October 2015 concerts

By Tim Secomb Mexican composer José Pablo Moncayo García was one of the most important representatives of the Mexican nationalist movement in classical music, along with fellow composers Silvestre Revueltas and Carlos Chávez. His Huapango is an original…

Oaxaca Opera Festival in Mexican press

SASO, Linus Lerner and the 2016 Oaxaca Opera Festival are receiving plentiful advance coverage in the Mexican press. If you read Spanish, or if you’re just a monolingual voyeur, follow the links to short pieces…

2015-16 Season Tickets Now Available

Through May 17, you may purchase early-bird-discount season tickets for SASO’s five 2015-16 concerts at St. Andrew’s Presbyterian for only $80. That’s five concerts for less than the cost of four single tickets! Season ticket…

Edwin E. Soo Kim Appetizer

Following his outstanding 2013 performances with SASO of Tchaikovsky’s Violin Concerto (which you can view in individual movements here, here and here), Edwin E. Soo Kim returns to Tucson in February 2015 to participate in…

Program notes for Oct. 4-5 concerts

By Tim Secomb The French composer Hector Berlioz was very influential in the development of the modern orchestra, particularly through his Treatise on Instrumentation, and also in the development of musical Romanticism. Like many other composers, Berlioz was…

Preview of SASO’s Oct. 4-5 season opener

By Punch Howarth Linus Lerner again conducts the season opening concert by the Southern Arizona Symphony Orchestra, on Oct. 4–5, 2013, featuring Gustav Holst’s The Planets, as well as music by Berlioz and Mozart. Opening…

Playing Beethoven’s Ninth, from the Inside

SASO violinist—and novelist, and mariachi musician—D.R. Ransdell reveals what it was like to struggle through, and ultimately succeed in, Beethoven’s Ninth Symphony with the Southern Arizona Symphony Orchestra at her own blog.

Program Notes for Our May, 2014 Concerts

By Tim Secomb Dmitri Shostakovich wrote his Festive Overture in 1947 to commemorate the thirtieth anniversary of the Russian Revolution. First performed in 1954, it is unusual among Shostakovich’s works for its gaiety and lack…

Beethoven’s Mighty Ninth to be Performed in May

Linus Lerner will conduct the Southern Arizona Symphony Orchestra, SASO Chorus, and soloists in a season-closing presentation of Ludwig van Beethoven’s Symphony No. 9 in d minor, Op. 125, “The Choral.” This work is acknowledged to be the greatest symphony ever composed, and greatly influenced later composers of orchestra music, particularly Brahms and Mahler.

Rebecca Shiao Will Perform Prokofiev with SASO

Rebecca Shiao is this year’s winner of the Dorothy Vanek Youth Concerto Competition and will play the first movement of Sergei Prokofiev’s Piano Concerto No. 3 in C with the Southern Arizona Symphony Orchestra on April 5 and 6. Ms. Shiao is a 17-year-old senior at Catalina Foothills High School and is a very talented student of Susan Chu.

2014 Youth Competition Winners

We’re delighted to announce the winners of this year’s Dorothy Vanek Youth Concerto Competition, held March 1–2: First Prize: Rebecca Shiao, pianoSecond Prize: Carissa Powe, violinThird Prize: Claire Thai, harp Rebecca has been invited to…

SASO Plays a Dazzling Liszt Concerto

Franz Liszt’s electrifying Piano Concerto No. 1 in E-flat Major will be performed by the Southern Arizona Symphony Orchestra conducted by Linus Lerner in its April concerts, with soloist Pervez Mody.

SASO Performs a Dazzling-Dramatic Concert in April

Nikolai Rimsky-Korsakov’s Capriccio Espagnol will open the April 5-6 spring concerts by the Southern Arizona Symphony Orchestra directed by Linus Lerner. Pyotr Ilyich Tchaikovsky’s Romeo and Juliet will close the concert. Here’s a preview by Punch Howarth.

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