Youth Concerto Competition

**The 2011 competition is postponed until 2022**

An invitation to Arizona’s finest young musicians

The 2022 Dorothy Vanek Youth Concerto Competition invites talented young music students to prepare and perform one movement of a concerto. The competition is designed to recognize and support the outstanding young musicians in our community, polish performance skills and build real-life experience.

Competitors will vie for awards of up to $1,000, SASO season tickets and the possibility of performing as a soloist with the Southern Arizona Symphony Orchestra.

This year’s competition features two divisions: a regular division for students ages 15 to 18, and a junior division for students age 14 and under.

If you are or know of a music student who might be interested, take advantage of this valuable opportunity. Apply by December 31, 2021. The competition will be held in early January, 2022 on the University of Arizona campus in Tucson.

Eligible Instruments

All orchestral instruments, including piano, harp, and saxophone.

Student Eligibility

Regular division: any public, private or home school student from age 15 to 18 (as of February 15, 2021) who has not yet graduated from high school is eligible to compete.

Junior division: students under the age of 15 who are at advanced enough musical level to perform a concerto movement.

Entry Procedure

Please fill in and submit our online application before the deadline of December 31, 2021.

Apply Online

Repertoire Requirements

  • Student should prepare one movement from standard concerto repertoire. All works should be for solo instrument and orchestra.
  • Please limit audition length to 10 minutes.
  • Music performed should be memorized.
  • Three copies of the music are to be provided to the judges.
  • Student must provide their own accompanist.

Awards

Regular Division:

GOLD: $1,000 & two SASO season tickets

SILVER: $500 & two SASO season tickets

BRONZE: $250 & two SASO season tickets

Junior Division:

GOLD: $300 & two SASO season tickets

SILVER: $200 & two SASO season tickets

BRONZE: $100 & two SASO season tickets

Performance Award

At the judges’ discretion, one or more of the winners may be invited to perform as a soloist with SASO during the 2022 season.

 

Congratulations to the winners of the 2020 Dorothy Vanek Youth Concerto Competition!

Senior Division
  • First Prize: Graham Fawson, piano (performed Rachmaninoff’s Piano Concerto No. 2, Mvt. 1 with SASO, February 15 & 16)
  • Second Prize: Bethany Radtke, cello
  • Third Prize: Andrew Nix, violin
Junior Division
  • First Prize: Joshua Thai, violin
  • Second Prize: Jacqueline Rodenbeck, violin
  • Third Prize: Campbell Stewart, xylophone

Congratulations to the Winners of the 2019 Dorothy Vanek Youth Concerto Competition!

Senior Division (ages 15 to 18)
1st Prize: Kai Skaggs, violin (invited to perform with SASO in March 2019)
2nd Prize: Minu Kim, piano
3rd Prize: Andrew Nix, violin

Junior Division (ages 14 and under)
1st Prize: Ayla Moreno, piano
2nd Prize: Jacqueline Rodenbeck, violin
3rd Prize: Naomi Turner, cello

This year’s applicant pool was exceptionally strong, and the judges were impressed with the overall level of virtuosity displayed. Kudos to all of this year’s applicants for their hard work and remarkable talent!

Congratulations to the winners of the 2018 Dorothy Vanek Youth Concerto Competition!

First Prize: Claire Thai, harp
Second Prize: Jacqueline Rodenbeck, violin
Third Prize: Jessica Zhang, piano

 

Many thanks to all the participants for their hard work and outstanding performances in the competition.

SASO’s Story

Adam Boyles was the music director for three seasons, bringing bountiful youthful energy and a passion to serve the music. Then the Tucson native moved East to brave the snow and conduct the orchestra at MIT in Boston.
The visionary founders of SASO were Barbara and Bill Chinworth, Scott Bracher and Janet Lombard. Barbara has played with SASO through its entire history, originally in the horn section, now on bass.
One spring SASO proved it has animal attraction. When it played at the Reid Park Zoo, some of the critters sang along with the music
Alan Schultz became music director in Year 2 and continued leading SASO for 15 seasons. He frequently conducted from the keyboard—organ or harpsichord. He also composed several works premiered by SASO.
SaddleBrooke is home to many of our loyal donors and the place where we’ve held our gala celebrations—first a black-tie dinner with music from "Phantom of the Opera" and later our annual StarStruck Gala evenings from 2008 through 2013.
The first concert was Oct. 28, 1979, conducted by former University of Arizona music professor Henry Johnson, featuring Jonathan Kramer in a Boccherini cello concerto.
Turkish maestro Orhan Salliel, after guest-conducting SASO in the fall of 2012, wrote to us, "The time in Tucson I shared with you in SASO for me was so special. I felt the real love of music from the bottom of everyone's hearts. It was something I do not feel often—never, ever in the professional world anymore. Please keep it, save it, try to build everything from this power of love for music."
Composer, pianist and conductor Warren Cohen served as music director for eight seasons, routinely commuting from his home in Phoenix, but one year all the way from Hawaii. His wife, coloratura Carolyn Whitacre, was a favorite soloist.
In December 1995 SASO was the first to present a concert at SaddleBrooke. This was the brainstorm of concertmaster Sam Kreiling. The concert sold out, as did a four-concert series the following year. SASO has performed there ever since.
The most colorful performance was a Halloween concert in Nogales—a ghoulish event where the conductor was a clown and all the musicians were in costume.
The largest event SASO has produced was Berlioz Te Deum, presented at the Tucson Community Center Music Hall with the Tucson Civic Orchestra, Tucson Masterworks Chorale, Tucson Arizona Boys Chorus and Pima College Singers.
Brazilian-born Linus Lerner, in his first year as music director, challenged the orchestra to learn his native Latin rhythms by playing Villa-Lobos. This proved surprisingly hard to do. We finally got it, but not until the week of the concert.
Early audiences had to be loyal followers of this itinerant orchestra, which performed all over the city, frequently in churches. In the 1980s SASO rented the Temple of Music and Art for a concert. The City of Tucson condemned the building the morning of the dress rehearsal and the concert was canceled.
Our most famous alumnus is Rico Saccani, associate conductor of SASO our inaugural year and piano soloist for the second concert. He later conducted opera companies and orchestras around the world and was music director of the Budapest Philharmonic Orchestra from 1985 to 2005.
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