Welcome to SASO!

Founded in 1979, the Southern Arizona Symphony Orchestra is a vital community resource that unites performers and audiences through a passion for music. The orchestra presents world premieres, seldom-performed treasures and classical gems. The season finale features Linus Lerner conducting the orchestra May 9–10 in Mussorgsky’s fearsome Night on Bald Mountain,  Elgar’s vivid Enigma Variations, and one of the most romantic of all violin concertos, Max Bruch’s First, featuring …

Chloé Trevor

Silver medalist of the 2008 Ima Hogg Competition, Chloé Trevor is one of the rising stars on today’s international violin scene. Critics have acclaimed Chloé for her “dazzling technique,” “excellent musicianship,” “huge tone,” “poise and professional grace” and “a bold personality unafraid to exult in music and ability.” She has appeared as a soloist with several orchestras, including the Knoxville Symphony, Hong Kong Sinfonietta, Latvian Chamber Orchestra, Houston Symphony and the Slovak State Philharmonic. Further performances include solo appearances in New York at Avery Fisher Hall in Lincoln Center, a tour with the Latvian Chamber Orchestra in Riga, Tchaikovsky’s Violin Concerto with the Dallas Symphony, and Prokofiev’s Second Violin Concerto at Sala São Paulo in Brazil and with the Cleveland Institute of Music Orchestra as a result of winning the Cleveland Institute of Music’s 2007 Concerto Competition.

Chloé was the grand prize winner at the 2006 Lynn Harrell Competition, the 2005 Lennox Competition, the 2003 Dallas Symphonic Festival Competition and the 2000 Collin County Young Artists Competition. She has been a featured violinist in the Music in the Mountains Festival in Colorado, at the Meyerson Symphony Center in Dallas and with the Missouri Symphony Orchestra. She was also chosen to perform on the nationally syndicated From the Top radio program.

Chloé was introduced to the violin at age 2 by her mother, Heidi Trevor Itashiki, a Dallas Symphony violinist. She later studied with Arkady Fomin, a Dallas Symphony violinist and artistic director of the New Conservatory of Dallas. She completed her undergraduate degree at the Cleveland Institute of Music, and her graduate degree as a scholarship student at Rice University studying with Kenneth Goldsmith.

Chloé plays on a Carlos Landolfi violin made in Italy in 1771, and is on faculty at the Music in the Mountains Conservatory.

Linus Lerner, DMA

linusPraised for bringing charismatic and passionate energies to music performances, Linus Lerner has conducted orchestras, operas, choruses and instrumental groups around the world. He’s conducted in Australia, Brazil, Bulgaria, China, the Czech Republic, Mexico, Spain and the United States.

Lerner is music director of the Southern Arizona Symphony Orchestra and the Symphony Orchestra of Rio Grande do Norte in Brazil. He also serves as clinician and vocal coach here and abroad.

He’s led SASO on two tours of China. He’s also guest conducted the Hunan Symphony Orchestra, Fuzhou Symphony Orchestra, National Film and Radio Orchestra and Qingdao Symphony Orchestra, all in China.

Other engagements include the Orchestra Nacional de Valles in Spain, the Symphony and Chamber Orchestras of Porto Alegre and the Symphony Orchestra of Rio Grande do Norte in Brazil, the International Opera Workshop in Bulgaria and Czech Republic, the Solistas Ensamble del Instituto Nacional de Bellas Artes and the Primavera Symphony in Mexico.

Previously Lerner served as artistic director of Bayou City Performing Arts in Houston, and associate conductor for Opera in the Ozarks, Tallahassee Youth Symphony Orchestra and the University of Arizona Philharmonic. Lerner’s passion for music transcends cultural boundaries. Throughout his travels, he finds that music truly is the international language.

Our First CD Is Available Now!

SASO "Celebration!" CD

Celebration! is SASO’s new CD, presenting attractive music by Tucson composers Pete Fine, Bruce Stoller, Jay Vosk, Richard White, Brian Goodall and A.F. Schultz. Linus Lerner conducts the Southern Arizona Symphony Orchestra in pieces that are alternately exciting, soothing, engaging and moving.

This is the only disc where you’ll find such intriguing music as Bruce Stoller’s Open Spaces for yucca shakuhachi flute (played by the composer) and orchestra, and Richard White’s tender For Patte—A Simple Song, written in memory of a beloved longtime SASO musician.

Online, each disc costs $18.50, including shipping and handling. Support SASO and encounter captivating new music by our own composers!

Buy CD

Benefit SASO via the 2015 Ford Mustang Raffle!

With your $25 contribution (or five tickets for $100), you could win a 2015 Ford Mustang 50th Anniversary Edition through this year’s Millions for Tucson raffle. The best part is that 100% of your contribution will support the Southern Arizona Symphony Orchestra. The drawing will be held Nov. 13, 2015. You may purchase your tickets online through Oct. 31.

Buy Raffle Tickets

Support Us

Your support helps SASO continue to explore the world of music with our audiences.

Donate

Special Thanks to our 2014-15 Season Sponsor
Dorothy Vanek

 

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SASO’s Story

Alan Schultz became music director in Year 2 and continued leading SASO for 15 seasons. He frequently conducted from the keyboard—organ or harpsichord. He also composed several works premiered by SASO.
Brazilian-born Linus Lerner, in his first year as music director, challenged the orchestra to learn his native Latin rhythms by playing Villa-Lobos. This proved surprisingly hard to do. We finally got it, but not until the week of the concert.
Composer, pianist and conductor Warren Cohen served as music director for eight seasons, routinely commuting from his home in Phoenix, but one year all the way from Hawaii. His wife, coloratura Carolyn Whitacre, was a favorite soloist.
One spring SASO proved it has animal attraction. When it played at the Reid Park Zoo, some of the critters sang along with the music
In December 1995 SASO was the first to present a concert at SaddleBrooke. This was the brainstorm of concertmaster Sam Kreiling. The concert sold out, as did a four-concert series the following year. SASO has performed there ever since.
Early audiences had to be loyal followers of this itinerant orchestra, which performed all over the city, frequently in churches. In the 1980s SASO rented the Temple of Music and Art for a concert. The City of Tucson condemned the building the morning of the dress rehearsal and the concert was canceled.
Turkish maestro Orhan Salliel, after guest-conducting SASO in the fall of 2012, wrote to us, "The time in Tucson I shared with you in SASO for me was so special. I felt the real love of music from the bottom of everyone's hearts. It was something I do not feel often—never, ever in the professional world anymore. Please keep it, save it, try to build everything from this power of love for music."
The visionary founders of SASO were Barbara and Bill Chinworth, Scott Bracher and Janet Lombard. Barbara has played with SASO through its entire history, originally in the horn section, now on bass.
Our most famous alumnus is Rico Saccani, associate conductor of SASO our inaugural year and piano soloist for the second concert. He later conducted opera companies and orchestras around the world and was music director of the Budapest Philharmonic Orchestra from 1985 to 2005.
SaddleBrooke is home to many of our loyal donors and the place where we’ve held our gala celebrations—first a black-tie dinner with music from "Phantom of the Opera" and later our annual StarStruck Gala evenings from 2008 through 2013.
Adam Boyles was the music director for three seasons, bringing bountiful youthful energy and a passion to serve the music. Then the Tucson native moved East to brave the snow and conduct the orchestra at MIT in Boston.
The first concert was Oct. 28, 1979, conducted by former University of Arizona music professor Henry Johnson, featuring Jonathan Kramer in a Boccherini cello concerto.
The most colorful performance was a Halloween concert in Nogales—a ghoulish event where the conductor was a clown and all the musicians were in costume.
The largest event SASO has produced was Berlioz Te Deum, presented at the Tucson Community Center Music Hall with the Tucson Civic Orchestra, Tucson Masterworks Chorale, Tucson Arizona Boys Chorus and Pima College Singers.
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