fireworks

Welcome to SASO!

Founded in 1979, the Southern Arizona Symphony Orchestra is a vital community resource that unites performers and audiences through a passion for music. The orchestra presents world premieres, seldom-performed treasures and classical gems. Our final concerts of the season present what many consider to be the world’s greatest symphony (Beethoven’s Ninth), the world’s noisiest overture (Shostakovich’s Festive Overture), and the world’s most beautiful guitar concerto (Rodrigo’s Concierto de Aranjuez), the latter featuring …

Roberto CapocchiRoberto Capocchi

Roberto Capocchi has played to critical acclaim throughout his native Brazil, the United States, and Mexico, as well as Canada and Belgium. He often plays and offers workshops at festivals in North and South America. Recent highlights include a tour with flutist Carol Redman; concerts and master classes for the Portland Classical Guitar Series, New Mexico Guitar Festival, and Springfield Guitar Society; and adjudicating for the Guitar Foundation of America New Mexico Symposium and for the New Mexico All-State Festival. Roberto Capocchi Plays Spanish Guitar Music is a solo 2010 CD with music by Isaac Albéniz, Regino Sainz de la Maza, Joaquín Turina and Francisco Tárrega. Tangos de Santa Fe: Matapolvos is a 2009 release of the music of Ron Strauss, where he plays the suite Tangos de Santa Fe with Carol Redman on flute and Pamela Epple on English horn. With violinist Ellen Chávez de Leitner, he released Duo Guadalupe: Music for Violin and Guitar in 2003.

Linus Lerner, DMA

linusPraised for bringing charismatic and passionate energies to music performances, Linus Lerner has conducted orchestras, operas, choruses and instrumental groups around the world. He’s conducted in Australia, Brazil, Bulgaria, China, the Czech Republic, Mexico, Spain and the United States.

Lerner is music director of the Southern Arizona Symphony Orchestra and the Symphony Orchestra of Rio Grande do Norte in Brazil. He also serves as clinician and vocal coach here and abroad.

He’s led SASO on two tours of China. He’s also guest conducted the Hunan Symphony Orchestra, Fuzhou Symphony Orchestra, National Film and Radio Orchestra and Qingdao Symphony Orchestra, all in China.

Other engagements include the Orchestra Nacional de Valles in Spain, the Symphony and Chamber Orchestras of Porto Alegre and the Symphony Orchestra of Rio Grande do Norte in Brazil, the International Opera Workshop in Bulgaria and Czech Republic, the Solistas Ensamble del Instituto Nacional de Bellas Artes and the Primavera Symphony in Mexico.

Previously Lerner served as artistic director of Bayou City Performing Arts in Houston, and associate conductor for Opera in the Ozarks, Tallahassee Youth Symphony Orchestra and the University of Arizona Philharmonic. Lerner’s passion for music transcends cultural boundaries. Throughout his travels, he finds that music truly is the international language.

Support Us

Your support helps SASO continue to explore the world of music with our audiences.

Buy Jeep Cherokee Raffle Tickets

Donate

Special Thanks to our 2013-14 Season Sponsor
Dorothy Vanek

league-orchestras  oro-valley-community  az-comission-arts   tucson-pima-arts

SASO’s Story

Our most famous alumnus is Rico Saccani, associate conductor of SASO our inaugural year and piano soloist for the second concert. He later conducted opera companies and orchestras around the world and was music director of the Budapest Philharmonic Orchestra from 1985 to 2005.
The most colorful performance was a Halloween concert in Nogales—a ghoulish event where the conductor was a clown and all the musicians were in costume.
The largest event SASO has produced was Berlioz Te Deum, presented at the Tucson Community Center Music Hall with the Tucson Civic Orchestra, Tucson Masterworks Chorale, Tucson Arizona Boys Chorus and Pima College Singers.
The visionary founders of SASO were Barbara and Bill Chinworth, Scott Bracher and Janet Lombard. Barbara has played with SASO through its entire history, originally in the horn section, now on bass.
Adam Boyles was the next music director for three seasons, bringing bountiful youthful energy and a passion to serve the music. Then the Tucson native moved East to brave the snow and conduct the orchestra at MIT in Boston.
One spring SASO proved it has animal attraction. When it played at the Reid Park Zoo, some of the critters sang along with the music
In December 1995 SASO was the first to present a concert at SaddleBrooke. This was the brainstorm of concertmaster Sam Kreiling. The concert sold out, as did a four-concert series the following year. SASO has performed there ever since.
The first concert was Oct. 28, 1979, conducted by former University of Arizona music professor Henry Johnson, featuring Jonathan Kramer in a Boccherini cello concerto.
Composer, pianist and conductor Warren Cohen served as music director for eight seasons, routinely commuting from his home in Phoenix, but one year all the way from Hawaii. His wife, coloratura Carolyn Whitacre, was a favorite soloist
Early audiences had to be loyal followers of this itinerant orchestra, which performed all over the city, frequently in churches. In the 1980s SASO rented the Temple of Music and Art for a concert. The City of Tucson condemned the building the morning of the dress rehearsal and the concert was canceled.
SaddleBrooke is home to many of our loyal donors and the place where we’ve held our gala celebrations—first a black-tie dinner with music from "Phantom of the Opera" and later our annual StarStruck Gala evenings from 2008 through 2013.
Alan Schultz became music director in Year 2 and continued leading SASO for 15 seasons. He frequently conducted from the keyboard—organ or harpsichord. He also composed several works premiered by SASO.
Brazilian-born Linus Lerner, in his first year as music director, challenged the orchestra to learn his native Latin rhythms by playing Villa-Lobos. This proved surprisingly hard to do. We finally got it, but not until the week of the concert.
Turkish maestro Orhan Salliel, after guest-conducting SASO in the fall of 2012, wrote to us, "The time in Tucson I shared with you in SASO for me was so special. I felt the real love of music from the bottom of everyone's hearts. It was something I do not feel often—never, ever in the professional world anymore. Please keep it, save it, try to build everything from this power of love for music."
Top